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Input Plug-ins (40)
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External Add-ons (16)
XMPlay Archive (69)
Extra ToolsSkins (146)
Visuals (115)
Input Plug-ins (35)
Output Plug-ins (5)
General Plug-ins (11)
Archive Reader (16)
Input Plug-ins (40)
DSP Plug-ins (10)
External Add-ons (16)
XMPlay Archive (69)
Extra ToolsYou can enjoy high-quality MIDI format music playback of your collection of MIDI files after installing the SoundFont compatable XMPlay MIDI Plugin. The XMPlay MIDI Plugin features:
The SoundFont compatable XMPlay MIDI Plugin supports GM, GM2, GS, and XG reset System Exclusive messages; as well as the drum channel enabling features of GS and XG when switched into those modes.
The XMPlay MIDI Plugin also supports GS and XG reverb preset control messages (e.g. "Hall 1", "Plate", "Tunnel", etc...) for adjusting reverb time, reverb delay, reverb low-pass cut-off, reverb high-pass cut-off, and reverb level; as well as chorus preset control messages (e.g. "Chorus 1", "Celeste 1", "Flanger 1", etc...) for adjusting chrorus delay, chorus depth, chorus rate, chorus feedback, chorus level, and chorus to reverb send level.
Refer to the XMPlay MIDI Plugin MIDI Implementation Chart below for a complete list of MIDI controllers, functions, and System Exclusive messages that the XMPlay MIDI Plugin supports.
The following is a list of high-quality General MIDI compatible freeware SoundFonts that can be used with the XMPlay MIDI Plugin (* = Useful for emulating various MIDI modules and sound cards):
"General MIDI" AWE32 ROM Dump SoundFont, by E-mu Systems (1.1 megabytes) *
http://heretics-hexens.ucoz.com/1mgm.sf2
http://connect.creativelabs.com/developer/SoundFont/SoundFont Librarian.zip (SFLib10c.zip)
"GS Sound Set (GM.dls)" Sound Canvas SoundFont, by Roland (3.5 megabytes) *
http://soundfonts.homemusician.net/collections_soundfonts/roland_gs_soundset.html
"Gravis Ultrasound Classic Patch Set v1.6b" Gravis Ultrasound SoundFont, by Arek Rak (5.9 megabytes) *
http://www.rarek.ceron.pl/gus.htm
"8MBGM E-mu Rev B (EmuAPS8.sf2/8MBGM.sf2)" SoundFont, by E-mu Systems (7.6 megabytes)
http://www.helpdrivers.com/sound/E-MU/Audio_Production_Studio_8mb_E-MU_GM_SoundFont_Bank/
"Roland SC-55 v1.1 (GM.dls)" Sound Canvas SoundFont, by DJ Tony (9.9 megabytes) *
http://www.mediafire.com/?a6qn1tc811b2ce1
"Chorium Revision A" SoundFont, by Open World (28.9 megabytes)
http://www.un4seen.com/download.php?extra/ChoriumRevA.rar
"General User GS" SoundFont, by Chris Collins (31.3 megabytes)
http://www.schristiancollins.com/generaluser.php
"OPL-3 FM 128M" Sound Blaster 16 FM Synthesis SoundFont, by Zandro Reveille (135 megabytes) *
http://woolyss.com/chipmusic/chipmusic-soundfonts/OPL-3_FM_128M.zip
ftp://fm:fm@atomu.ath.cx:6872/OPL-3 FM 128M.sfpack
"Fluid R3 GM" SoundFont, by Frank Wen (148.4 megabytes)
http://soundfonts.homemusician.net/collections_soundfonts/fluid_release_3.html
"Arachno SoundFont v1.0" SoundFont, by Maxime Abbey (155.4 megabytes)
http://www.arachnosoft.com/main/download.php?id=soundfont
"SGM v2.01" SoundFont, by David Shan (247.4 megabytes)
http://www.geocities.jp/shansoundfont
The following MIDI implementation chart details the MIDI controllers, functions, and System Exclusive messages that the XMPlay MIDI Plugin supports.
Note that all of the "XGEdit 95" Compatible parameters shown in the image below this chart that are displayed in bright green are standard GM/GS MIDI controllers and System Exclusive messages, while all of the parameters shown in the image displayed in bright yellow are special XG MIDI controllers and System Exclusive messages directly referenced by this chart.
Function | Transmitted | Received | Description / Remarks | |
---|---|---|---|---|
Basic Channel | No | Yes | 1..16 | |
Note Number | No | Yes | 0..127 | |
Velocity | No | Yes | Note On | |
Aftertouch | No | Yes | Channel | |
Pitch Bend | No | Yes | -8192..0..+8192 | |
Program Change | No | Yes | 0..127 | |
Controller Change | 0 | No | Yes | Bank Select |
1 | No | Yes | Modulation | |
5 | No | Yes | Portamento Time | |
6 | No | Yes | Data entry MSB | |
7 | No | Yes | Volume | |
10 | No | Yes | Panning | |
11 | No | Yes | Expression | |
38 | No | Yes | Data Entry LSB | |
64 | No | Yes | Sustain Pedal | |
65 | No | Yes | Portamento | |
67 | No | Yes | Soft Pedal | |
71 | No | Yes | Low-Pass Filter Resonance (XGEdit 95 Compatible: RES) |
|
72 | No | Yes | Release Time (XGEdit 95 Compatible: AMP EG) |
|
73 | No | Yes | Attack Time (XGEdit 95 Compatible: AMP EG) |
|
74 | No | Yes | Low-Pass Filter Cutoff (XGEdit 95 Compatible: CUTOFF) |
|
84 | No | Yes | Portamento Control | |
91 | No | Yes | Reverb Depth | |
93 | No | Yes | Chorus Depth | |
98, 99 | No | Yes | NRPN LSB, MSB | |
100, 101 | No | Yes | RPN LSB, MSB | |
120 | No | Yes | All Sounds Off | |
121 | No | Yes | Reset All Controllers | |
123 | No | Yes | All Notes Off | |
126, 127 | No | Yes | Polyphonic Mode (0 = Poly, 1 = Mono) | |
System Exclusive Messages | No | Yes | ||
GM/GS/XG Mode Reset (refer to Setup Events below) |
||||
Scale Tuning (GS/XG) (refer to Scale Tuning below) |
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Instrument/Drums Channel Switch (GS) | ||||
Master Volume (GS) | ||||
Reverb Type (XG) (refer to Reverb Types below) |
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Reverb Level (XG) (refer to Reverb Parameters below) |
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Reverb Time (XG) (refer to Reverb Parameters below) |
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Reverb Initial Delay (XG) (refer to Reverb Parameters below) |
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Reverb High-Pass Cutoff (XG) (refer to Reverb Parameters below) |
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Reverb Low-Pass Cutoff (XG) (refer to Reverb Parameters below) |
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Chorus Type (XG) (refer to Chorus Types below) |
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Chorus Level (XG) (refer to Chorus Parameters below) |
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Chorus Send to Reverb (XG) (refer to Chorus Parameters below) |
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Chorus Modulation Frequency (XG) (refer to Chorus Parameters below) |
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Chorus Modulation Depth (XG) (refer to Chorus Parameters below) |
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Chorus Feedback Level (XG) (refer to Chorus Parameters below) |
||||
Chorus Modulation Delay Offset (XG) (refer to Chorus Parameters below) |
RPN | Data entry MSB | Description / Remarks |
---|---|---|
MSB: 0 LSB: 0 |
0..127 | Pitch Bend Sensitivity (Data entry MSB: 0..127 semitones), Initial Value = 2 (2 semitones) |
MSB: 0 LSB: 1 |
0..64..127 | Master Fine Tuning (Data entry MSB: -100..0..+99.99 cents), Initial Value = 64 (0 cent) |
MSB: 0 LSB: 2 |
0..64..127 | Master Coarse Tuning (Data entry MSB: -64..0..+63), Initial Value = 64 (0 semitones) |
NRPN | Data entry MSB | Description / Remarks |
---|---|---|
MSB: 1 LSB: 32 |
0..64..127 | Cutoff Frequency (relative change) (Data entry MSB: -64..0..+63) |
MSB: 1 LSB: 33 |
0..64..127 | Resonance Frequency (relative change) (Data entry MSB: -64..0..+63) |
MSB: 20 LSB: 0..127 |
0..64..127 | Low-Pass Filter Cutoff of drum instrument (relative change on specified drum instrument) NRPN LSB: key number of drum instrument (Data entry MSB: -64..0..+63 semitones) |
MSB: 21 LSB: 0..127 |
0..64..127 | Low-Pass Filter Resonance of drum instrument (relative change on specified drum instrument) NRPN LSB: key number of drum instrument (Data entry MSB: -64..0..+63 semitones) |
MSB: 24 LSB: 0..127 |
0..64..127 | Coarse tuning (pitch) of drum instrument (relative change on specified drum instrument) NRPN LSB: key number of drum instrument (Data entry MSB: -64..0..+63 semitones) |
MSB: 25 LSB: 0..127 |
0..64..127 | Fine tuning of drum instrument (relative change on specified drum instrument) NRPN LSB: key number of drum instrument (Data entry MSB: -100..0..+100 semitones) |
MSB: 26 LSB: 0..127 |
0..127 | Key volume level of drum instrument (absolute change on specified drum instrument) NRPN LSB: key number of drum instrument (Data entry MSB: zero-normal/full) |
MSB: 28 LSB: 0..127 |
0..64..127 | Panpot of drum instrument (absolute change on specified drum instrument) NRPN LSB: key number of drum instrument (Data entry MSB: Left-Center-Right) |
MSB: 29 LSB: 0..127 |
0..127 | Reverb send level of drum instrument (absolute change on specified drum instrument) NRPN LSB: key number of drum instrument (Data entry MSB: zero-maximum) |
MSB: 30 LSB: 0..127 |
0..127 | Chorus send level of drum instrument (absolute change on specified drum instrument) NRPN LSB: key number of drum instrument (Data entry MSB: zero-maximum) |
Mode | System Exclusive Data | Description / Remarks |
---|---|---|
GM Mode On | F0 7E 7F 09 01 F7 | Enables General MIDI mode |
GS Mode Reset | F0 41 10 42 12 40 00 7F 00 41 F7 | Resets all General Standard mode parameters |
XG Mode On | F0 43 10 4C 00 00 7E 00 F7 | Enables Yamaha Extended MIDI mode |
Scale Tuning Key (XGEdit 95 Compatible: TUNE) |
System Exclusive Data (Hex) |
MIDI Channel (Hex) | (Decimal) |
Cents Offset (Hex) | (Decimal) |
||
---|---|---|---|---|---|
Scale Tuning C | F0 43 10 4C 08 Channel 41 Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning C# | F0 43 10 4C 08 Channel 42 Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning D | F0 43 10 4C 08 Channel 43 Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning D# | F0 43 10 4C 08 Channel 43 Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning E | F0 43 10 4C 08 Channel 45 Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning F | F0 43 10 4C 08 Channel 46 Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning F# | F0 43 10 4C 08 Channel 47 Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning G | F0 43 10 4C 08 Channel 48 Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning G# | F0 43 10 4C 08 Channel 49 Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning A | F0 43 10 4C 08 Channel 4A Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning A# | F0 43 10 4C 08 Channel 4B Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Scale Tuning B | F0 43 10 4C 08 Channel 4C Cents F7 | 00..0F | 00..15 | 00..40..7F | -64..00..+63 |
Effect Type (XGEdit 95 Compatible: EFFECT NAME) |
System Exclusive Data | Description / Remarks |
---|---|---|
Hall 1 | F0 43 10 4C 02 01 00 01 00 F7 | Reverb simulating the resonance of a hall |
Hall 2 | F0 43 10 4C 02 01 00 01 01 F7 | Reverb simulating the resonance of a hall |
Room 1 | F0 43 10 4C 02 01 00 02 00 F7 | Reverb simulating the resonance of a room |
Room 2 | F0 43 10 4C 02 01 00 02 01 F7 | Reverb simulating the resonance of a room |
Room 3 | F0 43 10 4C 02 01 00 02 02 F7 | Reverb simulating the resonance of a room |
Stage 1 | F0 43 10 4C 02 01 00 03 00 F7 | Reverb simulating the resonance of a stage |
Stage 2 | F0 43 10 4C 02 01 00 03 01 F7 | Reverb simulating the resonance of a stage |
Plate | F0 43 10 4C 02 01 00 04 00 F7 | Reverb simulating a metal-plate reverb unit |
White Room | F0 43 10 4C 02 01 00 10 00 F7 | Unique short reverb with a bit of initial delay |
Tunnel | F0 43 10 4C 02 01 00 11 00 F7 | Reverb simulating a tunnel (expanding to left and right) |
Basement | F0 43 10 4C 02 01 00 13 00 F7 | Reverb simulating a basement (initial delay, followed by reverb with unique resonance) |
No Effect | F0 43 10 4C 02 01 00 00 00 F7 | Reverb effect deactivated |
Parameter Type (XGEdit 95 Compatible) |
System Exclusive Data (Hex) |
Range (Hex) |
Range (Decimal) |
---|---|---|---|
Reverb Level (LEVEL) | F0 43 10 4C 02 01 0C 40 F7 | 00..7F | 000..127 |
Reverb Time (TIME) | F0 43 10 4C 02 01 02 12 F7 | 00..45 | 000..069 |
Reverb Initial Delay (I.DEL) | F0 43 10 4C 02 01 04 08 F7 | 00..3F | 000..063 |
Reverb High-Pass Cutoff (HPF) | F0 43 10 4C 02 01 05 0D F7 | 00..34 | 000..052 |
Reverb Low-Pass Cutoff (LPF) | F0 43 10 4C 02 01 06 31 F7 | 22..3C | 034..060 |
Note: The example data bytes shown in the chart above are the default parameters for the "Hall 1" reverb effect type (refer to Reverb Types above).
Effect Type (XGEdit 95 Compatible: EFFECT NAME) |
System Exclusive Data | Description / Remarks |
---|---|---|
Chorus 1 | F0 43 10 4C 02 01 20 41 00 F7 | Conventional chorus effect that adds natural spaciousness |
Chorus 2 | F0 43 10 4C 02 01 20 41 01 F7 | Conventional chorus effect that adds natural spaciousness |
Chorus 3 | F0 43 10 4C 02 01 20 41 02 F7 | Conventional chorus effect that adds natural spaciousness |
Chorus 4 | F0 43 10 4C 02 01 20 41 08 F7 | Chorus with stereo input (using MIDI channel panning setting) |
Celeste 1 | F0 43 10 4C 02 01 20 42 00 F7 | 3-phase LFO that adds modulation and spaciousness |
Celeste 2 | F0 43 10 4C 02 01 20 42 01 F7 | 3-phase LFO that adds modulation and spaciousness |
Celeste 3 | F0 43 10 4C 02 01 20 42 02 F7 | 3-phase LFO that adds modulation and spaciousness |
Celeste 4 | F0 43 10 4C 02 01 20 42 08 F7 | Celeste with stereo input (using MIDI channel panning setting) |
Flanger 1 | F0 43 10 4C 02 01 20 43 00 F7 | Conventional flanger effect that adds a jet-engine effect |
Flanger 2 | F0 43 10 4C 02 01 20 43 01 F7 | Conventional flanger effect that adds a jet-engine effect |
Flanger 3 | F0 43 10 4C 02 01 20 43 08 F7 | Conventional flanger effect that adds a jet-engine effect |
No Effect | F0 43 10 4C 02 01 20 00 00 F7 | Chorus effect deactivated |
Parameter Type (XGEdit 95 Compatible) |
System Exclusive Data (Hex) |
Range (Hex) |
Range (Decimal) |
---|---|---|---|
Chorus Level (LEVEL) | F0 43 10 4C 02 01 2C 40 F7 | 00..7F | 000..127 |
Chorus Send to Reverb (ToREV) | F0 43 10 4C 02 01 2E 40 F7 | 00..7F | 000..127 |
Chorus Modulation Frequency (FREQ) | F0 43 10 4C 02 01 22 06 F7 | 00..7F | 000..127 |
Chorus Modulation Depth (DEPTH) | F0 43 10 4C 02 01 23 36 F7 | 00..7F | 000..127 |
Chorus Feedback Level (FB) | F0 43 10 4C 02 01 24 4D F7 | 01..7F | 001..127 |
Chorus Modulation Delay Offset (DELAY) | F0 43 10 4C 02 01 25 6A F7 | 00..7F | 000..127 |
Note: The example data bytes shown in the chart above are the default parameters for the "Chorus 1" chorus effect type (refer to Chorus Types above).